REC01:00:00
PProcess · five stages
No stage begins before the previous one is signed. Every stage leaves an artefact you can hold, and every artefact has one named owner.
ST—01Days 1–4
You send the brief in whatever state it exists. We write it back as one page: what the film or system is, what it must not be, and what proves it worked.
Artefacts
Owner · Production
ST—02Week 2–3
Shot list, lens plan and grade reference for Pictures. Surface map, data model and interaction budget for Systems. Nothing is generated or built until this is signed.
Artefacts
Owner · Direction
ST—03Week 3–7
Runs execute against the locked constraints. Every pass is logged with its seed, model, reference set and the human who approved or rejected it.
Artefacts
Owner · Head of Generation
ST—04Week 7–10
Grade, sound, versioning and delivery-spec validation. Systems get hardening, audit trails and a migration rehearsal against real data.
Artefacts
Owner · Grade & Finish
ST—0512 months
Delivery is not an exit. Films get re-versions on request, systems get a release train, and every asset stays traceable back to the run that made it.
Artefacts
Owner · Studio Manager
STAGE 00:00:00
QProduction notes
Generated, under direction. Shot lists, lens plans and grade references are locked by humans first; the model executes inside those constraints. Where a client needs practical plates, we integrate them.
You do, on final payment, including the reference assets built during direction. Run logs stay with us for lineage, and we keep the right to show finished work unless the commission is embargoed.
No real person's likeness is generated without a signed release. Talent-free casting is the default. Every commission carries a rights sheet listing what may and may not appear.
Two weeks embedded with the desk, then a locked surface map, then build in weekly review cycles. Live inside twelve weeks for most internal tools, with twelve months of care afterwards.
Yes. Delivery is validated automatically against territory spec before a master leaves the building — Dolby, EBU R128, platform cutdowns and print at 300dpi from the same pass.
A small number each quarter across both divisions, so the same senior people stay on every project from intake to custody.